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2014-11-07 14.35.51.jpg

Behind the Scenes

Behind the Scenes

on The Set Of Violet

Director Matt Mercer acting in the lead role, reviews a critical shot with Cinematographer Patrick McGinley.

Kevin Sluder, Executive Producer and Writer, reviews the day's shot list with Gabe Arredondo, Co-Producer and Assistant Director

Cinematographer Patrick McGinley sets up for one of the bar scenes while Matt Mercer efficiently manages multiple roles as Director/Lead Actor.

Cinematographer Patrick McGinley films the opening scene with Matt Mercer in the lead role.

Cinematographer Patrick McGinley listens in as Matt Mercer directs Najarra Townsend and John Paul Romeo in the dance scene.

Key Make Up Artist Mariah Kraft preps Lead Actor Matt Mercer for his first scene.

Lead Actress Najarra Townsend takes a moment to toast the scene with Executive Producer/Writer Kevin Sluder.

Cinematographer Patrick McGinley sets up the lighting for a crucial shot.

Assistant Camera Operator Natalie Fong marks a scene.

Second Assistant Director, Jose Luis Gonzalez, sets up the police light effect.

Director and Producer, Matt Mercer, reviews a scene with Cinematographer Patrick McGinley

Executive Producer and Writer, Kevin Sluder, listens in for sound.

Cinematographer Patrick McGinley films a dolly shot with Assistant Directors Gabe Arredondo and Jose Luis Gonzalez.

Second Assistant Director Jose Luis Gonzalez and Assistant Camera Operator Natalie Fong survey the set up for a scene.

Gaffer Jesse Curl gets the lighting just right for close shots of the lead actors, Matt Mercer and Najarra Townsend at the bar.

Director and Producer, Matt Mercer, reviews the set up for the bedroom scene between lead actor, Najarra Townsend, and supporting actor, John Paul Romeo.

Key Make Up Artist Mariah Kraft preps Lead Actors, Matt Mercer and Najarra Townsend, for a bar scene.

Caterer Katie Wise takes a break from preparing lunch with Supporting Actor John Paul Romeo.

Director, Producer and Lead Actor, Matt Mercer, gets serious in a close up shot.

Cinematographer Patrick McGinley and Assistant Camera Operator Natalie Fong set up the opening dolly shot.

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